I personally use Cubase but have no issues with other systems being better. I can HONESTLY say that the difference in quality did not merit the Pro-Tools price tag and indeed, the bulk of the Pro-Tools recording was equal or inferior to the cubase version. Still I like Cubase more for the functionality, though as some others said, Mixbus 'feels' more as a analog console.I have heard comparable results between Pro-Tools and Cubase (done independently of me I may add) and I can say its down to many things but consider this:ġ) The better engineer can get comparable/better results from Cubase than a poor engineer with Pro-Tools.Ģ) MANY MANY very good cards can be purchased anr run with apps like Cubase to get a VERY Good sound indeed.check the gear section on this very site for some recommendationsģ) Pro-Tools IS expensive and for my ears, is not worth the price difference.Īs I mentioned, I was given a CD to master and also given the first one by the same band, same songs etc. Not sure how the channel-strip holds up against new releases of channel-strips. I think the power of Mixbus lies in the workflow. It seems the processing makes the difference, not summing the engine itself. I find the difference not to as subtle I suspected. Thanks for sharing the audio files, I appreciate it. Harrison, get the damned QCon devices working and we are best friends. Same as you would compose a different melody if you use a guitar or a banjo.Ĭonclusion: Dear Mr. In Mixbus, I do and hear different thinks.
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With Mixbus I used also the Tools in the Demo mode (But functional). In both DAW's I just used the On-Board Tools. (04-10-2020, 08:32 AM)Till Wrote: I picked some nice stems from the Telefunken studio. (04-16-2020, 07:08 PM)bayswater Wrote: Anyone done an "invert and sum" comparison between Mixbus and any other audio app? Or between MB and MB 32C? Latency problems are obviously solved in V6 but I have to get more recording experience to come to a final conclusion. I never got such a good sound out of the box as with Mixbus. But if it comes to music, the destination is to get the best sound. I use Nuendo 10 as I'm working in the dubbing industry here in Germany. (04-14-2020, 05:39 AM)Absolutely Last Efx Wrote: Hi Till, I confirm every word that you said, but for some work, example arrangement of soundtrack for video games or film, the editing in Cubase 10.5.x via VST Expression is to another world. I forgot, the pan control WORKS into Space, amazing feeling. From Filter section to dynamic section torus section to master section. Only using the entire path of Mixbus you can hear the differences. I remastered my last soundtrack and for make this I put the stereo mix into one channel for use the Filter section, routed into a mixbus for use the tape saturation drive, routed into masterbus section. I love Mixbus32c, It is the thing that comes closest to the sound of a console, but only if you MIX with this.
#Pro tools vs cubase how to
In past, few years ago, I did it with Logic X but how to Steinberg use Core Audio it's a bit different because they have a small layer abstraction to put VST ASIO into Core Audio. Now that I have the 32c-v6 from previous version v3, the next step is put Cubase&MixBus together. Hi Till, I confirm every word that you said, but for some work, example arrangement of soundtrack for video games or film, the editing in Cubase 10.5.x via VST Expression is to another world. If you spend as an Audio Engineer half of your life behind an analog console (in my case 3 DDA AMR24 desks) you will love Mixbus 32C.
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I can record vst instruments directly as a wave file.
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Quote:The On-Board Tools of Mixbus and optional Plug-Ins give me all I need.